
SoldLouis XVI period, by the French cabinetmaker Jean Chrysostome Stumpff (master from 1766), circa 1775, stamped, softwood body, veneered with rosewood and amaranth as well as with various partially coloured precious woods, marquetry in pattern themes typical of this cabinetmaker, polished in traditional craftsmanship, 2 doors, 1 drawer and writing flap on the front, interior with 6 inner drawers, open compartments and two gold-decorated cartoniers, gilded chiselled bronze mounts, 139 x 97 x 98 cm, beautiful, perfectly restored condition.
This type of “Trompe-Oeil” marquetry, a combination of cube and diamond patterns, can be found on chests of drawers and desks as well as on secretaries by Jean Chrysostome Stump. This three-dimensional pattern, most probably invented by Stump himself, became such a success that other renowned ebenists such as Roger Vandercruse, Pierre Roussel and Jean George Schlichtig also used it on their furniture. Two almost identical secretaries are illustrated in Pierre Kjellberg’s reference book “Le Mobilier francais du XVIII siecle”, 1998 edition, as works by Jean Chrysostome Stump (page 827) and Jean Georges Schlichtig (page 791). Subject to species protection (ASB)

SoldSo-called. Desserte, by the ebenist Jacques Birckle (master from 1764), Louis XVI period, c. 1780, oak frame, veneered with rosewood and amaranth and decorated with various precious woods, polished in traditional craftsmanship, one drawer, one intermediate compartment, profiled marble top, (Saint Anne) gilt bronze ornamental mounts and top border, stamped J BIRCKLE, 92.5 x 130 x 56 cm, beautiful restored condition.

€7,000.00Jean Popsel (master since 1755), Paris
Transition period, circa 1770
Oak corpus veneered with rosewood and amaranth
Geometric marquetry with various precious woods
Three drawers, gilt bronze mounts
Profiled marble top (probably later)
Stamped “J. POPSEL” and master’s mark
Dimensions: 89 × 132 × 65 cm
Professionally restored condition

Soldso-called. Tombeau, by the ebenist Jean-Charles Ellaume, (master from 1754), mid 18th century, curved softwood body, rosewood veneered, field-marked, polished in traditional craftsmanship, five drawers, double curved drawer fronts, “En Arbalete” rich finely chased and gilded bronze fittings, prof. Marble top, stamped J C ELLAUME and master’s mark, 88.5 x 133 x 56 cm, in beautiful, expertly restored condition. (MIN)
Subject to species protection (ASB)

€12,000.00Louis XVI period, c. 1780, oakwood body, veneered with rosewood and amaranth, and with various, with marquetry panels, ornamental motifs and lattice pattern with partly dyed precious woods, polished finish in traditional artisanal technique, two doors on the front, one drawer and fall-front, interior with four drawers and open compartments, replaced leather covering with gilt decor, gilt bronze fittings, stamped J G SCHLICHTIG, marble top probably supplemented in the 19th century, 138.5 x 78 x 37.5 cm, beautiful professionally restored condition.
€2,500.00Using a candelabra from the second half of the 19th century worked in a later period, bronze, chased and gilded, in the form of rocailles, leaves and flowers as well as ornamental decorations, single-flame electrically mounted, height with shade 82 cm, without guarantee for electric mounting.
SoldEpoch Louis XV, by the ebenist Louis Moreau, (master from 1764) three-sided curved oak body, veneered with amaranth and rosewood and richly ornamented with various, partly dyed precious woods, floral and in the form of musical instruments and books, polished in traditional craftsmanship, two drawers, finely chased gilt bronze fittings, double profiled marble top, (Breche de Alep) 89 x 125 x 52 cm, beautiful professionally restored condition.
Subject to species protection (ASB)
SoldMAISON KRIEGER, in Louis XV style, late 19th century, oak frame of outstanding quality, rosewood veneer, cross-grained marquetry with various precious woods in the form of leaves and tendrils, polished finish in traditional artisanal technique, three drawers, free-standing design, finely chiselled gilt bronze fittings and top edging, the latter signed KRIEGER PARIS, supplemented gilt leather cover, 78 x 163 x 84 cm, beautiful professionally restored condition.
The present item is subject to conservation legislation (ASB)
SoldFrance, Paris, late 19th century
Maison Krieger – important luxury furniture maker
Demi-lune salon cabinet
Oak structure with mahogany & rosewood veneer
High-quality exotic-wood marquetry
Traditional French-polish finish
One door, one drawer
Lock stamped: Mon Krieger Ameublement Paris
Finely chased gilt-bronze mounts & mouldings
Profiled marble top
Dimensions: approx. 110 × 132 × 52 cm
Excellent restored condition
Subject to CITES regulations
SoldSalon chest of drawers in transitional style, by the Parisian firm Maison Krieger, late 19th century, oak body, veneered with mahogany and satinwood mahogany and satinwood, finely chased gilded bronze bronze mounts, hallmark, MON KRIEGER AMEUBLEMENT PARIS, moulded marble top marble top, 79 x 91 x 46 cm, beautiful professionally restored condition.
€4,500.00Maison Millet, France, late 19th century, elegantly curved oak frame, mahogany and rosewood veneer, fine ornamental and floral marquetry with various partly dyed precious woods, with polished finish in traditional artisanal technique, one intermediate compartment, finely chiselled gilt bronze fittings, partly in the form of rams’ heads and leaves, intermediate compartment and top with edging, signed MILLET a PARIS, height 76 cm, diameter 53 cm, beautiful professionally restored condition.
The present item is subject to conservation legislation (ASB)
MAISON MILLET (1853-1918), established in Paris in 1853 by Théodore Millet, was renowned for crafting luxury furniture and gilded bronze objets d’art of exceptional quality, primarily inspired by 18th-century styles. The firm’s reputation for excellence led to collaborations with other esteemed cabinetmakers, including François Linke, to meet high demand. Maison Millet achieved significant acclaim, securing a gold medal at the 1889 Exposition Universelle in Paris and the Grand Prix in 1900. The company operated as a manufacturer until 1902 and continued as a retailer until 1918.
SoldFrance, late 19th century. Elegantly curved oak frame, rosewood veneered, finely ornamentally marquetry with various, partly coloured precious woods, polished in traditional technique, one intermediate compartment, finely chased, partly in the form of rams’ heads and laurel leaves, gilded bronze fittings, intermediate compartment and top with border, signed, MILLET a PARIS, height 75.5 cm, diameter 52.5 cm, beautiful professionally restored condition.
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