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    • Großer Salonspiegel Louis XVGroßer Salonspiegel Louis XV
      4,800.00

      Louis XV period, France mid 18th century, profiled softwood frame carved in the form of rocailles, acanthus leaves and volutes, set in gold, renewed mirror panel, 176 x 110 cm, beautiful restored condition, reworked frame.

    • Louis Moreau, SalonkommodeLouis Moreau, Salonkommode Sold

      Epoch Louis XV, by the ebenist Louis Moreau, (master from 1764) three-sided curved oak body, veneered with amaranth and rosewood and richly ornamented with various, partly dyed precious woods, floral and in the form of musical instruments and books, polished in traditional craftsmanship, two drawers, finely chased gilt bronze fittings, double profiled marble top, (Breche de Alep) 89 x 125 x 52 cm, beautiful professionally restored condition.

      Subject to species protection (ASB)

    • Sekretär Maison Krieger Sold

      Attributed to Maison Krieger, Paris, after an 18th century model, by Jean Henri Riesener in the last quarter of the 19th century, mahogany and oak, partly mahogany veneered, polished in the traditional polished in the traditional craftsman’s technique, rich, top quality gilt bronze gilded bronze fittings, mouldings and panel edgings, 2 drawers at the front, 1 writing flap, 1 intermediate compartment with five inner drawers, leather-covered writing surface, marble top (bleu turquin), 122 x 66 x 37 cm, beautiful professionally restored condition.

      The model for this piece of furniture was a “secretaires en cabinet” by Jean-Henri Riesener. Master from 1768 and undisputedly one of the most important representatives of the Louis XVI period. The right to make replicas of it was held by Louis Auguste Alfred BEURDELEY at the time of Napoleon III and passed to his son Alfred to his son Alfred-Emmanuel when he took over the studio. It was subsequently bought by Francois LINKE, a pupil of Antoin Krieger. Under the co-operation of the many pieces of Linke furniture were sold under the name Maison Krieger. It sub-licences were also granted for the replication of individual models. With The furniture on offer is associated with a number of important 19th century century, and it is not possible to say with certainty which of the 3 ateliers (Krieger, Linke, Beurdeley) the furniture comes from.

    • Salonkommode KriegerSalonkommode Krieger Marmorplatte Sold

      Salon chest of drawers in transitional style, by the Parisian firm Maison Krieger, late 19th century, oak body, veneered with mahogany and satinwood mahogany and satinwood, finely chased gilded bronze bronze mounts, hallmark, MON KRIEGER AMEUBLEMENT PARIS, moulded marble top marble top, 79 x 91 x 46 cm, beautiful professionally restored condition.

    • Salontischchen MilletSalontischchen Millet Sold

      France, late 19th century. Elegantly curved oak frame, rosewood veneered, finely ornamentally marquetry with various, partly coloured precious woods, polished in traditional technique, one intermediate compartment, finely chased, partly in the form of rams’ heads and laurel leaves, gilded bronze fittings, intermediate compartment and top with border, signed, MILLET a PARIS, height 75.5 cm, diameter 52.5 cm, beautiful professionally restored condition.

    • Zierliches Bureau PlatZierliches Bureau Plat Sold

      Maison Millet, Paris, late 19th century, in the Louis XVI style, worked after an 18th century model by Jean Henri Riesener, oak frame veneered with rosewood and mahogany, as well as latticed, marquetry, polished in traditional craftsmanship, conical fluted feet, one drawer, finely chased gilt bronze fittings and plate surround, embossed lock, Millet a Paris, approx. 75 x 100 x 60 cm, beautiful professionally restored condition.

      Subject to species protection (ASB)

      MAISON MILLET (1853-1918) was founded in 1853 by Theodore Millet. The company exclusively produced luxury furniture and gilded bronze objects of the highest quality. It was mainly furniture in the style of the 18th century. Due to the high demand, Millet had some of his orders made by other renowned ebenists. These included François Linke. Millet won the gold medal at the Paris Exposition Universelle in 1889. Maison Millet was open as a producer until 1902 and, after the death of the company founder in 1906, as a store until 1918.

    • Monumentales Bureau PlatMonumentales Bureau Plat seitlich
      14,000.00

      France, Louis XVI period, ca. 1780, by the ebenist Pierre Garnier (master from 1742), predominantly oak, mahogany veneered and with ebony marquetry, matted, double-sided drawer design with a total of 10 drawers. 10 drawers, conical feet, gilt bronze ornamental fittings and panel edging, extendable extension panels on 3 sides with gold-decorated leather covering, stamped P. Garnier on the underside, approx. 79 x 171 x 94 cm, can be enlarged to approx. 275 x 148 cm, minor signs of age and wear.

      Pierre Garnier, (1720-1800), became a master in 1742 at the age of 22 and a member of the Parisian “Jurande des Ebenistes”. His work illustrates the evolution of all styles in France in the XVIII century, beginning with the early Louis XV period, through the Transition and Louis XVI, to the Directoire, the period of the Great French Revolution. In the “L’ Almanach général des Marchands du Royaume”, Garnier is cited as one of the most important ebenists of the XVIII century, alongside Oeben, Riesener, Weisweiler and Leleu. He is regarded as one of the inventors of the “style à la grecque”, which heralded the beginning of classicism. In the “Petites Affiches” of 1800 – in his obituary – he is described as someone who for 50 years produced a quality that makes any praise superfluous. In addition to the royal family, he supplied the entire aristocracy. His works can be admired in the Louvre, Musée Jacquemart-André, South Kensington Museum and Metropolitan Museum of Arts, among others.

    • Schmaler Salonspiegel Sold

      France, Louis XVI period, c. 1780, finely ornamentally carved softwood frame in the form of leaves, flowers and loops, gold-painted, renewed mirror panel, pierced top, 173 x 76 cm, largely original condition with minor retouches.

    • Paar Fauteuils von vorne
      1,800.00

      Probably Louis XVI period, around 1780, curved hardwood frames, partially carved and fluted, painted gray, worn, shabby chic surface, wallpapered, renewed upholstery, signs of age and wear.
      Chic finish, wallpapered, renewed upholstery, signs of age and wear.

    • Paar Fauteuils Seitlich
      2,800.00

      France, Louis XV period, mid 18th century, brown matted beechwood frame, partially profiled and carved in the form of stylized flowers, high-quality renewed upholstery, 94 x 69 x 71 cm, seat height 46 cm, beautiful, well-kept and restored condition.

    • Paar Fauteuils ca. 1780Paar Fauteuils ca. 1780 Sold

      Louis XVI period, ca. 1780, moulded, partly fluted and carved hardwood
      carved hardwood frames, brown matted finish, renewed seat, backrest and armrests,
      backrest and armrest upholstery, 90.5 x 55 x 60 cm, seat height
      42 cm, beautiful restored condition.

    • Paar Art Deco Bergeren Sold

      France c. 1920/25, hardwood frames, partly fluted and foral, carved in the shape of fruit and ornamentally, brown matt finish,
      renewed upholstery, high-quality ecru velvet cover, 87 x 73 x 66 cm, restored condition.

    • Paar französische FauteuilPaar französische Fauteuils -23% Off
      Original price was: €6,000.00.Current price is: €4,600.00.

      Louis XV period, mid 18th century, curved beechwood frames, partly moulded and florally carved in the form of flowers and leaves, high-quality renewed seat, backrest and armrest upholstery, (imitation fish scale cover) 93 x 64 x 61 cm, seat height 42 cm, restored condition.

    • Paar französische Salon-BeistelltischchenPaar französische Salon-Beistelltischchen Sold

      (“en pendant”), by the ebenist Georges François Alix, (slightly varying in the choice of materials), late 19th century. Century, curved oak and hardwood frames, veneered with rosewood and rosewood as well as with various partly dyed and burnt precious woods florally and with musical instruments in finest quality, polished in traditional craft technique, each with a drawer and a leather-covered shelf, gilt finely chased bronze mounts, stamped ALIX (Georges François Alix) on the underside, approx. 72 x 52 x 37.5 cm, beautiful professionally restored condition. (MIN)

      Subject to species protection (ASB)

      Georges-François ALIX (1846-1906). Important furniture maker and bronze doré producer in Paris in the 2nd half of the 19th century. He had an excellent clientele thanks to the outstanding quality of his products and also supplied his marquetry, leaves and bronzes to the best of his trade, such as François Linke, Maison Krieger and Maison Millet. He was an outstanding craftsman, enjoyed an excellent reputation and designed his furniture himself, although he only employed 2 workers in his studio.

    • Regence Fauteuils Sold

      France, first third of the 18th century. Curved walnut frame, finely carved in the form of stylized leaves and volutes, outdated basic upholstery, forally decorated wool cover, probably from the 19th century, 100 cm x 71 cm x 72 cm, seat height 47 cm, beautiful, well-kept general condition.

    • Paar WandkonsolenPaar Wandkonsolen Sold

      Second half of the 19th century, oak and softwood, finely ornamentally carved in the form of stylised leaves, curved, marble tops, 49 x 42.5 x 21 cm, in beautiful, well-kept original condition.

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