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In the Louis XV style, modelled on 18th century examples 19th century models, curved hardwood and softwood hardwood and softwood body, primed in black and painted in in the form of landscape scenes and figures in lacquer technique decorated with raised lacquer, two drawers on the front, gilded bronze fittings, moulded marble top, 84.5 x 120 x 49.5 cm, beautiful professionally restored condition.
- €6,000.00
so-called “Bouillotte”, in Louis XV style, “Escalier de Cristal” in Paris, late 19th century, various hardwoods and softwoods,
palisade veneered, with various partially coloured precious woods in the form of flowers in a vase and lattice marquetry, polished using traditional craftsmanship, one drawer, one pull-out leather-covered shelf, gilded shelf, gilded bronze fittings and plate surround, conical feet, height 76 cm, diameter 70 cm, beautiful professionally restored condition. - €4,800.00
A console by the French ebenist Georges-Francois ALIX, in the Louis XVI style, late 19th century, oak frame veneered with amaranth and rosewood as well as with various precious woods of the finest quality in the form of stylised leaves and flowers as well as ornamental marquetry, polished using traditional craftsmanship, conical fluted feet, hinged top, gilded bronze fittings, double stamp on the underside, 74 x 63 x 44 cm, professionally restored condition.
- €8,000.00
So-called ‘bout de canapé’, based on an 18th century design by Bernard Vanrissenburgh, crafted by Gervais Maximilien Eugene DURAND in the late 19th century, stamped on the underside, curved oak frames, veneered with rosewood and mahogany, inlaid with various precious woods partly in cross-grained technique in the form of leafy tendrils, with polished finish in traditional artisanal technique, one drawer each, finely chiselled gilt bronze mounts, top with moulded edging, 73 x 62 x 38 cm, beautiful professionally restored condition.
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France, c. 1780, curved fluted walnut frames, backrest area florally carved in the shape of rose blossoms, matted, high-quality renewed upholstery, cover with Colony fabric pattern. Stamp J. I. ROUSSENS. F, (master from 1784), approx. 96 x 66 x 67 cm, seat height approx. 43 cm, beautiful restored condition.
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Louis XVI period, by the French cabinetmaker Jean Chrysostome Stumpff (master from 1766), circa 1775, stamped, softwood body, veneered with rosewood and amaranth as well as with various partially coloured precious woods, marquetry in pattern themes typical of this cabinetmaker, polished in traditional craftsmanship, 2 doors, 1 drawer and writing flap on the front, interior with 6 inner drawers, open compartments and two gold-decorated cartoniers, gilded chiselled bronze mounts, 139 x 97 x 98 cm, beautiful, perfectly restored condition.
This type of “Trompe-Oeil” marquetry, a combination of cube and diamond patterns, can be found on chests of drawers and desks as well as on secretaries by Jean Chrysostome Stump. This three-dimensional pattern, most probably invented by Stump himself, became such a success that other renowned ebenists such as Roger Vandercruse, Pierre Roussel and Jean George Schlichtig also used it on their furniture. Two almost identical secretaries are illustrated in Pierre Kjellberg’s reference book “Le Mobilier francais du XVIII siecle”, 1998 edition, as works by Jean Chrysostome Stump (page 827) and Jean Georges Schlichtig (page 791). Subject to species protection (ASB)
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So-called. Desserte, by the ebenist Jacques Birckle (master from 1764), Louis XVI period, c. 1780, oak frame, veneered with rosewood and amaranth and decorated with various precious woods, polished in traditional craftsmanship, one drawer, one intermediate compartment, profiled marble top, (Saint Anne) gilt bronze ornamental mounts and top border, stamped J BIRCKLE, 92.5 x 130 x 56 cm, beautiful restored condition.
- €2,500.00
by the French cabinet-maker Jacques Laurent COSSON (master from 1765), Louis XVI period, c. 1780/85, mahogany and mahogany veneer, with polished finish in traditional artisanal technique, conical fluted feet, one drawer, one intermediate compartment, moulded grey veined marble top, gilt bronze fittings, stamped J L COSSON, height 91 cm, depth 56 cm, professionally restored condition.
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so-called. Tombeau, by the ebenist Jean-Charles Ellaume, (master from 1754), mid 18th century, curved softwood body, rosewood veneered, field-marked, polished in traditional craftsmanship, five drawers, double curved drawer fronts, “En Arbalete” rich finely chased and gilded bronze fittings, prof. Marble top, stamped J C ELLAUME and master’s mark, 88.5 x 133 x 56 cm, in beautiful, expertly restored condition. (MIN)
Subject to species protection (ASB)
- €7,000.00
Louis XVI period, c. 1780, oakwood body, veneered with rosewood and amaranth, and with various, with marquetry panels, ornamental motifs and lattice pattern with partly dyed precious woods, polished finish in traditional artisanal technique, two doors on the front, one drawer and fall-front, interior with four drawers and open compartments, replaced leather covering with gilt decor, gilt bronze fittings, stamped J G SCHLICHTIG, marble top probably supplemented in the 19th century, 138.5 x 78 x 37.5 cm, beautiful professionally restored condition.
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Epoch Louis XV, by the ebenist Louis Moreau, (master from 1764) three-sided curved oak body, veneered with amaranth and rosewood and richly ornamented with various, partly dyed precious woods, floral and in the form of musical instruments and books, polished in traditional craftsmanship, two drawers, finely chased gilt bronze fittings, double profiled marble top, (Breche de Alep) 89 x 125 x 52 cm, beautiful professionally restored condition.
Subject to species protection (ASB)
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MAISON KRIEGER, in Louis XV style, late 19th century, oak frame of outstanding quality, rosewood veneer, cross-grained marquetry with various precious woods in the form of leaves and tendrils, polished finish in traditional artisanal technique, three drawers, free-standing design, finely chiselled gilt bronze fittings and top edging, the latter signed KRIEGER PARIS, supplemented gilt leather cover, 78 x 163 x 84 cm, beautiful professionally restored condition.
The present item is subject to conservation legislation (ASB)
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