- €8,500.00
by the ebenist Conrad Mauter (1742 – 1810), in so-called “Demi Lune” form, Louis XVI period around 1780, partly mahogany wood and mahogany veneered, polished in traditional craftsmanship, fluted studs, conical feet, 3 drawers, 2 side doors, chiselled gilt bronze fittings, stamped C. MAUTER (master from 1777), profiled marble top, 85 x 114 x 44 cm,
expertly restored condition.
Conrad Mauter’s clients included the Comte de Artois, brother of King Louis XVI, and himself, later known as King
Charles X. - €3,000.00
in Louis XV style, France, late 19th century, various hardwoods and softwoods, rosewood veneer, polished using traditional craftsmanship, one drawer, rich, chased and gilded bronze decorative fittings and panel edging, renewed gold-trimmed leather covering, 76 x 99 x 59 cm, beautiful professionally restored condition.
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So-called. “Tombeau”, Louis XV period, mid 18th century, various softwoods and hardwoods, rosewood veneer, field-marked, polished in traditional polished in traditional craftsmanship, 4 drawers, chiselled gilt bronze mounts, stamped D GENTY (Denis Genty,
Master from 1754), moulded marble top, approx. 82.5 x 114 x 59 cm, beautiful professionally restored condition.- €9,000.00
Paris, late 19th century, elegantly curved hardwood frame, rosewood veneered, inlaid with various precious woods in the form of cubes and leaves, polished in traditional craftsmanship, one drawer, finely chiselled gilt bronze mounts, marked FL on the back and signed F. Linke on a corner bronze, panelled surround, 75.5 x 110 x 66 cm, beautifully restored condition.
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“Bouillotte”, in Louis XVI style, by the French ebenist François Linke, late 19th century, hardwood frame, rosewood veneered, in typical form field and diamond shaped marquetry, polished in traditional handcraft technique, fluted feet, finely chased gilt bronze fittings, white/grey – ‘Arabescato’ marble top with profiled top border, signed F. Linke on one bronze, height 75 cm, diameter 75 cm, beautiful professionally restored condition.
Subject to species protection (ASB)
François LINKE (1855-1946), one of the most important ebenists of the Parisian “Belle Epoque”, came from Pankraz (Bohemia / Austria-Hungary). After studying furniture making in Vienna for two years, he first went to Germany and then to France in 1875, where he worked as a laborer for the well-known cabinetmaker Antoine KRIEGER.After a short stay in Vienna in 1879, he returned to Paris to set up his own studio in 1881.
Initially he produced for his former employer A. Krieger, but he quickly built up his own clientele thanks to his outstanding quality. His collaboration with the sculptor Léon Messagé, who was responsible for the design of the bronzes, was decisive for his future style and stellar career. Together they put together a collection for the Paris World Exhibition in 1900 that made Linke world-famous. He succeeded in creatively combining the classic Louis XV style with Art Nouveau. Works by François Linke are represented in all the world’s major museums and are highly sought-after on the art market.Sold
Late 19th century, by the French ebenist François Linke, (1855-1946), displayable oak frame, veneered with rosewood and mahogany as well as field- and lattice-marked, polished in traditional handcraft technique, gilded bronze fittings and ornamental strips executed and chased in highest quality, signed F. LINKE on a bronze, hinged top with interior felt covering, approx. 77 x 88 x 41 cm, beautiful professionally restored condition.
Subject to species protection (ASB)
François LINKE (1855-1946), one of the most important ebenists of the Parisian “Belle Epoque”, came from Pankraz (Bohemia / Austria-Hungary). After studying furniture making in Vienna for two years, he first went to Germany and then to France in 1875, where he worked as a laborer for the well-known cabinetmaker Antoine KRIEGER. After a short stay in Vienna in 1879, he returned to Paris to set up his own studio in 1881. Initially he produced for his former employer A. Krieger, but he quickly built up his own clientele thanks to his outstanding quality. His collaboration with the sculptor Léon Messagé, who was responsible for the design of the bronzes, was decisive for his future style and stellar career. Together they put together a collection for the Paris World Exhibition in 1900 that made Linke world-famous. He succeeded in creatively combining the classic Louis XV style with Art Nouveau. Works by François Linke are represented in all the world’s major museums and are highly sought-after on the art market.
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In the Louis XV style, modelled on 18th century examples 19th century models, curved hardwood and softwood hardwood and softwood body, primed in black and painted in in the form of landscape scenes and figures in lacquer technique decorated with raised lacquer, two drawers on the front, gilded bronze fittings, moulded marble top, 84.5 x 120 x 49.5 cm, beautiful professionally restored condition.
- €4,500.00
so-called “Bouillotte”, in Louis XV style, “Escalier de Cristal” in Paris, late 19th century, various hardwoods and softwoods,
palisade veneered, with various partially coloured precious woods in the form of flowers in a vase and lattice marquetry, polished using traditional craftsmanship, one drawer, one pull-out leather-covered shelf, gilded shelf, gilded bronze fittings and plate surround, conical feet, height 76 cm, diameter 70 cm, beautiful professionally restored condition. -34% Off
Original price was: €5,900.00.€3,900.00Current price is: €3,900.00.so-called. “Lampe Bouillotte”, modelled on Clodion in the late 19th century, ornamentally and in the form of putti decorated bronze shaft, gilded, on a moulded marble base decorated with beadwork, electrically mounted with three flames, height-adjustable red matted metal shade, height metal shade, height 72 cm, in good general condition, no guarantee for electrical installation.
- €4,800.00
A console by the French ebenist Georges-Francois ALIX, in the Louis XVI style, late 19th century, oak frame veneered with amaranth and rosewood as well as with various precious woods of the finest quality in the form of stylised leaves and flowers as well as ornamental marquetry, polished using traditional craftsmanship, conical fluted feet, hinged top, gilded bronze fittings, double stamp on the underside, 74 x 63 x 44 cm, professionally restored condition.
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France, c. 1780, curved fluted walnut frames, backrest area florally carved in the shape of rose blossoms, matted, high-quality renewed upholstery, cover with Colony fabric pattern. Stamp J. I. ROUSSENS. F, (master from 1784), approx. 96 x 66 x 67 cm, seat height approx. 43 cm, beautiful restored condition.
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